Episodi della fortuna di Rosmunda come personaggio tragico nella prima metà dell’Ottocento

Giada Guassardo

doi:10.6092/issn.1721-4777/19313

Authors

Giada Guassardo Università degli Studi di Milano https://orcid.org/0000-0002-6318-6485

After studying at the Scuola Normale in Pisa and at the University of Pisa, did a doctorate at the University of Oxford with a thesis on Ariosto's lyric poetry, which evolved into a monograph and an annotated edition (2021) . She was a scholarship holder at the National Institute for Renaissance Studies (Florence) for two years and is currently working at the University of Milan as an adjunct lecturer and postdoctoral fellow, with a project of commentary of the lyrics of Niccolò da Correggio.

DOI:

https://doi.org/10.6092/issn.1721-4777/19313

Keywords:

Alfieri, Longobards, Ottocento, Rosmunda, tragedy

Abstract

The gloomy legend of the Gepid princess Rosmunda, become popular over the centuries mainly in the versions of Paul the Deacon and Machiavelli, has always enjoyed a certain fortune in stage literature due to its intrinsic tragic potential (unwillingly married to the Longobard king Alboinus, the conqueror of her people, and forced by him to drink from the skull of her deceased father, Rosmunda first has him killed by her lover Helmechis; the two then take refuge in Ravenna where, because of the exarch’s plots, they end up killing each other). Its success was at its peak in the 19th century, however, boosted as it was by the influence of Alfieri’s Rosmunda and the interest of the time, in the context of a nascent patriotism, in Longobard stories. The article outlines the main steps of its reception, examining the tragedies by G.B. Roselli, G.F. Gambara, T. Bandettini, P. Corelli and the opera librettos by L.A. Paladini and P. Rotondi, and dwells in particular on the psychological portrayal of the characters and the authors’ relationship with Alfieri.